“This industry is tough enough. There’s no reason we need to navigate it alone.” - Rose Friel Conway

A Lifelong Fascination with Story

Apart from being an avid, lifelong reader, I have always been fascinated by why and how we engage with good stories. And I’m particularly interested by the beloved stories that we adapt, generation by generation, to reflect our current beliefs and norms.

From Classics to Communications

This interest drove me from a high schooler who elected to study Latin and Shakespeare to a college student in English Literature and Communication Studies. It wasn’t until my first internship at Simon & Schuster U.K. that I decided to become a literary agent. To me, they were (and are) the gladiators, cheerleaders, and champions of storytellers and their works in a saturated, scrutinizing market.

Publishing Roots and Global Perspective

I received my Master’s in Publishing from London College of Communication, the oldest printing college in the city, and began working with agencies in New York shortly thereafter.

A Pivot Toward the Author

And if COVID-19 hadn’t turned the world upside down, I would probably be an agent today. However, in 2020, the industry largely decentralized out of necessity and we saw tremendous growth in hybrid and self-publishing successes. Itching to be where the action was, I moved into hybrid publishing, managing approximately 1,500 outbound editorial assignments annually to freelance writers and editors.

A woman with curly hair smiling while holding a book titled "The Bookshop" by Evan Friss, sitting near bookshelves and colored glass panels.

The Birth of Foreword Literary Consulting

But big growth has big risk, and when the company faced mass layoffs and controversy in May 2023, the relationships were what remained. The impacted authors leaned on their editorial partners, who were similarly impacted as subcontractors, who leaned on me and our relationship.

Thus, Foreword Literary Consulting was born. Bridging my knowledge of submissions and contract review within traditional publishing, best practices within hybrid publishing, and fair compensation for self-publishing, I began to consult with authors – first-time and established – to make the most of their current books-in-progress and achieve their publishing goals.

Two separate roles, one unifying ethos

In January 2026, Rose Friel Conway joined Confluence Literary Agency to represent fiction authors in the traditional market. She is an active member of the Association of American Literary Agents and routinely opens her QueryTracker for submissions. For more on that work, please visit Confluence Literary Agency’s website.

Foreword Literary Consulting is a separate entity and working with Rose through Foreword Literary Consulting in no way indicates a future relationship with any agent at Confluence Literary Agency or as a represented author on Rose’s list.

Across both her consultation and representation work, Rose is driven to deliver tailored strategies and to-the-moment market guidance for clients.

She considers herself “publishing model agnostic” and sees the value in traditional, hybrid, and self-publishing pathways on a per project basis. And she always identifies where affiliate partnerships are involved when making third-party recommendations for clients under Foreword Literary Consulting.

Foreword Literary Consulting will continue to be a first stop for authors considering all models and seeking guidance on how to savvily, efficiently pursue their publishing goals.